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Pinpoints of light in the background envelop the individual and conceal a mysterious message. The Planar T* 1,4/85 lens brings out the best in its subject, while masterfully manipulating both sharpness and soft focus.\n\nThis classic portrait lens captures people in their surroundings, playing with a range of sharpness, soft focus and contrast effects. Its distinctive circular bokeh is a crucial creative element. The Planar T* 1,4/85 produces very high quality and shallow depth-of-field when wide open. This is especially suitable for isolating the main subject from the foreground and background. This lens is also suitable as a general-purpose lens.\n\nThe famous symmetric lens design invented by Dr. Paul Rudolph at Carl Zeiss in 1896. The Planar lens is the most successful camera lens design – and, by the way, the most plagiarized – ever created. It provides the lens designer with numerous means to correct aberrations extraordinarily well. And its performance is very constant over a wide range of imaging ratios, enabling such a versatile lens variety as the Makro-Planar lens.\n\nFloating Elements Design\nState-of-the-art camera techniques and high-resolution digital image sensors increasingly demand more from the lenses. The modern floating element design compensates aberrations of the Carl Zeiss SLR lenses at different distance settings. This is accomplished by changing the axial distance of single lens elements or element groups to each other. The adjustment of the element distance is coupled to the distance setting so that it always results in the right correction. The mechanical design of these lens elements is very complex and the workmanship must be particularly exact – both specialties of Carl Zeiss.\n\nExcellent image quality\nThe Carl Zeiss range of T* lenses offers the highest possible standards in terms of performance, reliability and, of course, image quality. Quite simply, they are superior in every way. You can count on highly advanced flare control for crisp and brilliant images, for example. And virtually zero geometric distortion, ensuring precise accuracy when reproducing shapes – especially useful when photographing products and architecture.\n\nElaborate stray light reduction\nRich, vibrant colors are vital to creating a lasting impression. Stray light in the lens, however, would lead to a brightening of the image, which is particularly visible in shadow areas. Image contrast is lowered; the image appears dull and bleached. We combine various, elaborate techniques to reduce unwanted stray light. For example, all lens elements are coated with the famous Carl Zeiss T* anti-reflective coating. Additionally, a jet black special paint is applied by hand to all lens element edges to ensure that reflections are prevented from the start.\n\nPrecise manual focus\nManually focusing a lens means controlling the image result from your fingertips. A good ergonomic design makes all the difference. Carl Zeiss SLR lenses stand out with their large rotation angle which enables precise focusing. Changes are immediately visible in the viewfinder. The high-quality focusing mechanism moves smoothly without play, thus also supporting the intuitive interaction with the focal plane. The precise engraving in meter and feet, and the depth of focus scale provide additional support for manually focusing.\n\nCarl Zeiss T* anti-reflective coating\nAll lens elements in SLR lenses from Carl Zeiss feature the T* anti-reflective coating and an optical design that produces brilliant pictures even in unfavorable lighting conditions. We vacuum deposit very thin, transparent coats on the surfaces of the lens elements to make them anti-reflective. Special substances, one by one, are vaporized with very high energy in a high vacuum, which are then deposited on the glass surface as a coating with precisely controlled thicknesses to achieve the desired reduction of reflections. The first coatings were applied by Carl Zeiss back in the 1930s.
Anderen bekeken ook
Sony SEL90M28G
Grootste diafragma2.5 t/m 2.8
BeeldstabilisatorJa
9,6(21)
Sony FE 35MM F1.4 GM
Grootste diafragmaGroter dan 4.0
BeeldstabilisatorNee
FocusAutomatisch/handmatig
Sony FE 200–600 MM F5.6–6.3 G OSS
BeeldstabilisatorJa
USMJa
FocusHandmatig
9,0(1)
Tamron 28-75mm F/2.8 Di III VXD G2
Grootste diafragmaGroter dan 4.0
Fujifilm FUJINON XF 16-80mm F4 R OIS WR
Grootste diafragmaGroter dan 4.0
Olympus M.ZUIKO DIGITAL ED 60mm F2.8 Macro
Grootste diafragma2.5 t/m 2.8
BeeldstabilisatorNee
Interne scherpstelling (IF)Ja
9,4(5)
Samyang AF 35-150mm F2-2.8 FE, Sony E
FocusAutomatisch/handmatig
Olympus M.ZUIKO DIGITAL ED 9-18mm 1:4.0-5.6
Grootste diafragma3.6 t/m 4.0
Samyang 14mm f/2.8 IF ED UMC Aspherical
Grootste diafragma2.5 t/m 2.8
BeeldstabilisatorNee
USMNee
Nikon NIKKOR Z 14-30mm f/4 S
Grootste diafragmaGroter dan 4.0
BeeldstabilisatorNee
Interne scherpstelling (IF)Ja
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